Pierre Gerard and Andy Graydon's tape release from earlier this year saw a long distance sound exchange deploying themes of polarity and homeward migration. Gerard's take on the themes saw an ultra-minimalist approach – as he often deploys – that resulted in a nice piece of hushed concrete-drone music. As minimal as that piece was, it sounded tumultuous in comparison to ENVIRONMENT & gesture.
On their own, the three tracks that make up the album give little to no reward for the listener, elapsing as lackluster environmental backdrops: a water droplet here, a rock thud there. After the 20 minute opener the sound of a stream is introduced, which slightly livens things, though barely. But Gerard hasn't just presented an album of boring field recordings, his intentions are far more earnest.
From his perspective these recordings are the product of seamless improvisations, where the sounds of objects and instruments are integrated by the "performer" into an environmental soundscape by complimenting it as opposed to dominating over it. Rightly so, Gerard choose nearly silent locations to perform these passive improv sessions where even the slightest of movements likely had the potential to impede on his vision. In these recording situations discipline and restraint become important factors, and although the outcome isn't the most engaging, there is much revealed in the artist's intentions and in the sound work itself if one can spend time with it. Yes, this just might win you over. Recommended.
Pierre Gerard - With Objects (a) (excerpt) by ScrapyardForecast